Followers

Monday, 11 April 2011

Nero - Guilt


I would love to in the future capture this much energy in my paintings and the different emotions it conveys and that futuristic feel it has.

p.s. This i think personally is one the best songs ever (well by Nero) :P


Nova the film


I found this video extremely inspiring and it is interesting to see what new artists are doing with art now and how they are taking it to new levels. It has taught me that there are no limits to art what so ever and I recommend everyone who is involved with art to watch this.

Favourite quote from the film,

"I think in a perfect world, everybody is an artist because you don't... many people...art, you don't need art, nobody needs art, we can function everyday without art. Uh, film, we don't need film, we don't need music, but it enriches our life, it makes us better, it makes us happy, it makes us realize that the world isn't a bad place you know. We have time to beautify our surroundings". Kit Webster (copied exactly)

Wednesday, 6 April 2011

Truly Amazing Animation by Onur Senturk (Fa) (Cp2)

Nokta


Triangle -


What i love about these animations are how Onur as made these strange, alien forms seem as if were alive. These animations are extremely inspirational and I aim to achieve this effect when i try my animation for fine art.





Saturday, 2 April 2011

Stencils (Fa)









Colour animation idea (Fa)








Cole Sternberg Press Release (Cp2) (Fa)

(REMINDER - READ AND PRINT OF ARTIST'S PRESS RELEASES)

DENVER – The David B. Smith Gallery is very pleased to be bringing Cole Sternberg and his unique sociopolitical

art to Denver. Please join us for the exciting opening of this new exhibition,

I was here for just a moment, on Friday, March 18th from 7-10pm.

Each of Sternbergʼs works is an explosion of layered text, heavy painterly washes and strong, gestural

brushstrokes. Working with oils, watercolors and spray paint, his works have an organized chaos that is

both compelling and appealing. Within each piece, is an underlying statement on human rights, ecology,

personal relationships or other subjects of emotional relevance.

In this exhibition, Sternberg explores the imprint of human beings on this planet, and questions the role of

humanity in the growth or destruction of the earth. Consumed by what he calls a “war on science in politics,”

and the “desire by politicians and media pundits to push both evolution and global warming as hoaxes,”

Sternberg explores this “war on science” in his works, giving them a “vague landscape apocalyptic feel.”

Political statement and strong visuals are what make this work unique. For the last ten years, Sternberg has

been challenging his viewers on subjects as varied as pop culture to human rights to the environment.

Schooled in the law, and a published author on international law issues, Sternbergʼs insights into his subject

matter give these works a unique twist rarely seen in the arts. The layers upon layers of text and scrawled

graffiti are like collaged sound bites – one on top of another – yet every line and stroke with a purpose.

Whatever emotional subject initiated the work, the painterly expressionism of the words and broad swaths of

strong color make this exhibition one you must see.

An essay by Leanne Haase Goebel will accompany the exhibition.

About Cole Sternberg

Born in Richmond, Virginia and raised in Saratoga, California, Sternberg earned his BA from Villanova

University, and his JD at the Washington College of Law at American University. He uses his legal

background extensively in his work, combining a socio-political point of view with a strong aesthetic.

Sternberg has exhibited both nationally and internationally, including a solo show at The American University

Museum in Washington, DC. His works can be found in major collections and publications throughout the

world.

About David B. Smith Gallery

David B. Smith Gallery is Denver's venue for compelling contemporary art. Since its founding in 2007, the

gallery has been committed to presenting intelligent and culturally relevant exhibitions featuring work from

some of today's most important artists with growing international reputations. Through participation in

leading art fairs and extensive media coverage, David Smith has cultivated a strong regional, national and

international collector audience. In August 2008, The New York Times hailed the gallery as offering "an

exciting contrast of cutting edge works." In addition to its curatorial program, David B. Smith maintains an

active publishing division, Limited Addiction, which produces limited edition artist prints and monographs.


Cole Sternberg - a sad man in a sad car
Download CVCole Sternberg
  • a sad man in a sad car
  • Ink, spray paint and acrylic on linen

    34 x 48 in. (86.4 x 121.9 cm)

    2010

Futura 2000



A recent inspirational painting by Futura 2000.

picture from http://arrestedmotion.com/2011/03/teaser-futura-2000-new-works-galerie-jerome-de-noirmont-paris/picture-3-10/

When I get off my ass and go to london :)

CURRENT SHOW

(Cp2) (Pw)

Giant beachcomber by Thomas P Peschak

Wildlife Photographer of the Year
Bristol Museum & Art Gallery, Sat 19 Feb - Sun 5 June

Cave of Forgotten Dreams, Watershed (Cp2) (Pw) (CHI)

Cave of Forgotten Dreams 3D

BBFC Certificate
Cert: U
Director
Dir: Werner Herzog 2010 USA 89 mins

screenings from:
Fri 25 Mar - Thu 07 Apr

Book Tickets

Cave of Forgotten Dreams

For his latest documentary Werner Herzog takes us on an incredible 3D journey into the Chauvet caves in Southern France: enormous chambers full of the oldest prehistoric art known to man. Modern 3D brings these ancient works of art to life like nothing else: glide through the cathedral-like cave, over cave formations and sloping passageways, across the beautiful 32,000 year old drawings. These scenes are interspersed by interviews with scientists musing on the cave's mysterious beauty, the evolution of creativity and the nature of humanity. Operatic, gorgeously accomplished and truly unforgettable: this is an extraordinary glimpse at, perhaps, the dawn of art itself.

To call the movie fascinating is akin to calling the Grand Canyon large. The Hollywood Reporter

The last sentence I ever expected to hear was 'Let's go see the 3D Werner Herzog film..' Yet, here it is, and it's fantastic. Vanity Fair

Is 3D the future of cinema? Or just another Hollywood experiment, an obsolete fad? Film industry consultant Michael Gubbins and cinematographer Terry Flaxton will discuss the emergence of 3D in a special Panel Discussion on Sun 3 April at 13:30.


I am so interested in Cave paintings, as they are evidence of our prehistoric man and probably the earliest pieces of art ever! I'm also interested in this because they could be regarded as the earliest forms of graffiti. I have only seen one film at the watershed and that was a planned uni trip but i feel this documentary will really make me put the effort in to go to the watershed for my own sake.